David Foster Wallace’s “trademark” footnote-mania as on display in Infinite Jest is sometimes (though Baker is by far the less-famous of the two writers) reckoned as a steal from Baker (The Mezzanine preceding Infinite Jest by about a decade), but neither writer invented the use of footnotes in fiction. It isn’t hard, though, to imagine Wallace reading The Mezzanine and wishing he’d written it, or thinking to himself that he could do better by bringing an epic, humanist plot to the formal (and possibly elitist) apparent barrenness of Baker’s twee-but-envy-seedingly original work. It’s not a stretch to see Wallace as the tragic little brother to Baker’s eldest son in this genealogy of a lacquered intensity of style.
The Most Extreme Cabinet Ever
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1 comment:
I know it's gauche (laugh) but I've come to this page via self-Googling. I very much appreciate the mention; so much gets buried in the infinite productivity of the internet machine! You've helped to bring this piece a little more attention before it vanishes with a soft "pop" and a whiff of ozone...
Thanks,
SA
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